This textbook moves away from a general survey of events and dives into historiography, critical methodology, and specialized thematic analysis. It treats history not just as a story of the past, but as a rigorous academic discipline.
This textbook serves as an advanced guide that transitions students from the basics of economic theory to the complexities of macroeconomics, international trade, and financial management.
This textbook is structured to transform students into active researchers of their own cultural environments. It focuses on critical thinking and the practical application of anthropological concepts.
This textbook serves as a gateway to understanding the complexities of human society, both globally and within the specific context of Indonesia’s rich cultural heritage.
This textbook transitions from pure theory to "applied anthropology," empowering students to use their knowledge to analyze and potentially address the challenges facing contemporary society.
This textbook serves as a foundation for Grade 10 students, focusing on deepening their understanding of Hindu philosophy (Tattwa), ethics (Susila), and rituals (Acara) while contextualizing these teachings within the realities of the modern, digital age.
Moving from the personal and community-based faith explored in Grade 11, the Grade 12 curriculum shifts its focus toward the student’s role within the larger framework of society and the nation-state. It bridges the gap between theology and citizenship.
This textbook is designed to guide high school students in deepening their faith, character, and understanding of Christian values in the context of modern life. The title, "Bearing Fruit in Christ," centers on the theological concept that a maturing faith should manifest in tangible, positive actions, attitudes, and contributions to society.
The story centers on Samantha, a teenage girl whose life takes a drastic turn after she survives a serious accident. Following the trauma, she discovers that she has gained the ability to see and communicate with three spirits: Raka, Hana, and Tobi.
The title, which uses the French preposition "De" (meaning "of" or "from") combined with the Indonesian word "Buron" (meaning "fugitive" or "wanted person"), sets a tone of intrigue. It refers to a character who feels like a fugitive—not necessarily from the law, but from the expectations, social pressures, or the life they were "supposed" to live.